Performing Arts in Cape Town
Find accurate info on the best businesses belonging to the Performing Arts category in Cape Town. Get reviews and contact details for each business, including phone number, address, opening hours, promotions and other information.
Showing results: 1 - 20 out of 24
Showing results: 1 - 20 out of 24
Results from the 'Performing Arts' category in Cape Town
Closed now
167 3rd avenue Grassy Park, Grassy Park, Cape Town, 7941
021 706 9678
We are currently at 15 schools on the Cape Flats, offering scholars the opportunity to express themselves through art, dance, music, soccer and golf, Changing Minds Changes Actions Changes Lives 
Closed now
160 Sir Lowry Rd, 2 The Hills Bldg, Cape Town, 8001
021 461 0215
It’s a space where gymnasts, dancers and everyday individuals, from all walks of life, can train as an outlet for their strength, creativity, sensuality and agility. Dare to be different... 
Closed now
19 Ajax Way, Pinelands, Pinelands, Cape Town, 7405
021 531 8976
Viv Pullin started as a student dance teacher at the age of 16, in the Pinelands North Primary School, along side the then resident teacher, Viviene. In between teaching and dancing professionally, Viv also did a Degree in Radiography and became affectionately know as the dancing Radiographer. However Viv’s passion for dance stayed with her, and 35 years ago, the Viv Pullin School of Dance was born. In 1977, Viv married an italian and started a studio in Italy which she ran very successfully for 6 years in the town of Molfetta and Trani. In 1982 Viv returned to Cape Town and the Viv Pullin School of Dance reopened in the Congregational Church Hall, in Pinelands. The studio had about 150 pupils and offered modern and dance fitness classes. Jen Stretch joined the Viv Pullin School of Dance in 1990, and quickly became Viv’s right hand lady, the time she has put into teaching and the morning dance classes has been invaluable. To add to this, Jen has become one of the best costume designers in Cape Town and also runs the very successful Rondebosch branch of The Dance Co. We also offer the Dance Fitness Club which caters for all who enjoy exercise in dance form. The Dance Co is a studio that offers dance, movement and fitness to all, from 4 years of age to 60 years old. 
Closed now
Shop 1A, Cape Gate Décor Centre, Nitida Ave, Brackenfell, Cape Town, 7560
021 983 2201
Closed now
1 D F Malan St, Cape Town, 8001
021 410 9800
Historically the Cape Performing Arts Board (CAPAB) was instituted in the early sixties of the twentieth century. The aim was to promote the performing arts. The arts councils received sufficient government subsidies to fund various art forms as well as the operational requirements of the theatre facilities. 
Closed now
Disa Cres, BELLVILLE, Cape Town, 7530
082 655 8791
TUITION IN MODERN- AND TAP DANCING. CHILDREN AND SCHOLARS FROM 6 YEARS AND UP. MODERN/HIP HOP CLASSES IN EVENINGS FOR WORKING GIRLS. 
Closed now
110 Raats Drive, Cape Town, 7441
021 556 5052
WHO ARE WE? We are a part time music school offering music lessons based in Blouberg, catering for every kind of musical enthusiast from the shower singer to the up and coming band member; from junior school goers and high school teens to the corporate business owner. Although our music lessons follow a syllabus they are tailored to your individual needs. In other words, whilst developing your personal musicianship, you may choose to develop your band skills too. We facilitate this by offering regular live performance opportunities in our very own performance hall that can seat up to 70 people. Students are offered the opportunity to perform every 5 weeks at our regular open mic nights twice a term. This allows for 8 regular performances per year excluding any additional events Legacy students may be invited to. Such as our Saturday Night Live gigs including guest bands or Adult performance opportunities performing at the local pubs just on our door step that we regularily net work with. Not only do students have the chance to experience real gig scenarios, they are also exposed to session work through the multiple bands that may require a guitarist or drummer etc for their open mic night act. Too beginner to play in a band? No problem! Open Mic Nights cater for all skill levels allowing students to also perform on their own or with their teacher should they need some help. Students can even jam out with all the teachers should they wish. Open Mic Nights are also utiziled as a way of tracking a students progress affording parents the opportunity to witness the progress for themselves. 
21 Blvd Way, Cape Town, 7945
021 788 8233
However, Handspring had always felt the challenge of developing an adult audience for the theatre of puppets and therefore began at night to workshop plays for adults. The first step in this unmarked territory was Episodes of an Easter Rising in 1985, performed in Cape Town, Grahamstown and Johannesburg. They were astonished and delighted by the strong support the production received from adult audiences and the press. This set the arc for all their future theatre work. Exposure to international theatre for puppets at the 7th international Festival of Puppet Theatre in Charleville-Mezzieres in 1985 increased their resolve to work for adults. Their first international success came in 1991 with Starbrites directed by Barney Simon, which toured to Europe and had a London season. In '92 they began work with the artist, William Kentridge. Their first collaboration, Woyzeck on the Highveld won many awards in South Africa and was highly acclaimed at festivals around the world. Since then, the company has collaborated with Kentridge on several other multi-media productions. The rich theatre life that existed in Johannesburg in the late eighties and nineties gave Handspring many opportunities to work with top South African directors. Each provoked new and unexpected developments in the way they made and worked with puppets. However, some of the changes stemmed from the performers' interaction with the materials and the demands of the performance. For rod manipulators like Handspring, the weight of the puppet was an important criterion. During the period of the children's plays this problem was solved largely through the use of polystyrene covered in layers of paper. However, Adrian (the master puppeteer and puppet maker) always found this to be an unsympathetic material. 
1 Link Road, Camps Bay, CAMPS BAY, Cape Town, 8005
021 438 3301
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